2024 Gyeonggi International Ceramic Biennale: Exploring Cooperation and Coexistence

2024 Gyeonggi International Ceramic Biennale Explores the Theme of Cooperation and Coexistence

The 2024 Gyeonggi International Ceramic Biennale, held at the Gyeonggi Ceramic Museum in Icheon, Gyeonggi Province, aims to delve into the concept of cooperation and coexistence. With the theme “Together_Montaigne’s Cat,” inspired by the question posed by 16th-century French philosopher Michel de Montaigne, the exhibition offers visitors an opportunity to deeply contemplate the complex relationship between individuals and their environment.

Exhibition Details and Theme

This year’s exhibition will take place from September 6 to October 20, 2024, at the Gyeonggi Ceramic Museum in Icheon, Gyeonggi Province. The Biennale focuses on the concept of “cooperation” as its central theme, aiming to shed light on the multidimensionality of collaboration in contemporary society.

The exhibition will feature the works of 26 artists representing 14 countries, providing a platform to foster dialogue on the significance of unity in addressing global challenges. It is divided into three parts, each highlighting various aspects of cooperation and coexistence.

Part 1: Together with the World

The first part of the exhibition, titled “Together with the World,” examines pressing global issues such as climate change, environmental destruction, and species extinction. Through diverse art pieces, the exhibition emphasizes the delicate balance that exists between land, sea, microorganisms, plants, animals, and humans.

Notable works include Marieke van der Ben’s “How Dare You,” which criticizes the irresponsible actions of the older generation through the lens of the climate movement. The artwork combines the beloved character Pippi Longstocking with the image of climate activist Greta Thunberg, underscoring the urgency of addressing environmental crises.

Another remarkable piece is Kim Simonson’s “Moss People,” which depicts children living in the forest, symbolizing the impact of social conflicts on future generations. The artwork captures the essence of innocence from childhood while addressing the dark realities of modern society.

Furthermore, Wasin Buri Suphanichborapach presents the impressive artwork “Dragon Rerun 2020,” which combines the destructive nature of weapons with the beauty of traditional Chinese ceramic patterns. The piece offers insights into the relationship between power and the potential for destruction.

Part 2: Together with Others

The second part of the exhibition, titled “Together with Others: About Friendship,” invites marginalized groups to share their stories. This section explores issues related to gender, race, and immigration, providing a space for dialogue and understanding among diverse communities.

One powerful artwork in this section is Tip Toland’s “African Albinism Child,” which portrays the challenges faced by children with albinism in Africa. The piece emphasizes the social and political difficulties these children encounter, raising awareness about prevalent misconceptions and biases within society.

Steven Y. Lee, a Korean-American artist, explores his identity in the artwork “Broken Dreams and Movements.” This piece commemorates Asian women who lost their lives in the Atlanta spa shootings and reflects on shattered dreams of those seeking opportunities in the United States. It poignantly reminds viewers of the complexities of cultural identity and belonging.

Other works in this section address themes of poverty, inequality, and racial discrimination, encouraging audience participation and fostering empathy and connection.

Part 3: Together with Oneself

The third part of the exhibition, titled “Together with Oneself: In the Digital World,” delves into the issue of isolation in an increasingly digital society. This section prompts visitors to reflect on the importance of personal experiences and the significance of community in the face of contemporary challenges.

Kang Yongseok’s artwork “Ear” focuses on the isolation and exclusion experienced by elderly Koreans in a society that prioritizes digital interaction. The piece sheds light on the vulnerability of the elderly population, sparking discussions about the need for increased support and connection.

Hwang Chunmao’s “Pink Dream Mirror” invites viewers to a dazzling feast, evoking a sense of belonging and community consciousness. This artwork symbolizes the fusion of cultures and the importance of inclusivity in modern society, combining elements of traditional Chinese aesthetics with Western design.

Significance of the Exhibition

The Gyeonggi Ceramic Foundation, the organizer of the Biennale, emphasizes the importance of contemporary ceramic art in expressing the values of cooperation and coexistence. The exhibition serves as a platform for artists to convey messages and engage in meaningful conversations about the complexities of human relationships.

Through this exhibition, participants will have the opportunity to contemplate the role of ceramic art in promoting understanding and connection among diverse communities. The Biennale highlights the significance of collaboration in addressing the challenges faced by humanity, aiming to create opportunities for dialogue and action.

The 2024 Gyeonggi International Ceramic Biennale will be held in various locations in Gyeonggi Province, including Icheon, Yeojoo, and Gwangju, from September 6 to October 20, 2024. This extensive event will commemorate the ongoing relevance of ceramic art in artistic expression, cultural exchange, and the promotion of cooperation and coexistence.

Sources: Newsis