Unveiling the Sublime: Pianist Huh Hyo-jeong’s Captivating Humanities Recital

Renowned Pianist Huh Hyo-jeong to Host Fifth Humanities Recital

Exploring the Sublime and Truth of Classical Music

Seoul, South Korea – Huh Hyo-jeong, a distinguished music scholar and pianist, is set to host her fifth humanities recital. Titled “How did classical music become sublime? The untold story,” the recital will take place on the 21st at the Seoul Arts Center Recital Hall.

In this recital, Huh Hyo-jeong aims to uncover the philosophical and anti-utilitarian implications hidden beneath the creation of the illusion of “true art.” She will delve into how music critics in the 1800s interpreted Immanuel Kant’s concept of the sublime and applied it to the compositions of Bach and Beethoven, ultimately leading to their recognition as expressions of the sublime. Additionally, she will discuss the influence of these ideas on the formation of the genre known as “classical music.”

The recital will feature renowned works such as Liszt’s “Liebestraum No. 3,” Bach’s “Prelude and Fugue BWV 881,” Beethoven’s “Piano Sonata No. 28,” and Franck’s “Prelude, Chorale, and Fugue.”

Don’t miss the captivating recital by Huh Hyo-jeong, a leading figure in the fields of music and humanities.

Key Points:

• Pianist Huh Hyo-jeong, a renowned music scholar, will be hosting her fifth humanities recital.
• The recital, titled “How did classical music become sublime? The untold story,” will take place at the Seoul Arts Center Recital Hall on the 21st.
• Huh Hyo-jeong aims to uncover the philosophical and anti-utilitarian implications behind the creation of the illusion of “true art.”
• She will explore how music critics in the 1800s interpreted Immanuel Kant’s concept of the sublime and applied it to the compositions of Bach and Beethoven, ultimately leading to their recognition as expressions of the sublime.
• The recital will also discuss the influence of these ideas on the formation of the genre known as “classical music.”
• The recital will feature performances of Liszt’s “Liebestraum No. 3,” Bach’s “Prelude and Fugue BWV 881,” Beethoven’s “Piano Sonata No. 28,” and Franck’s “Prelude, Chorale, and Fugue.”
• Huh Hyo-jeong’s recital promises to be a captivating exploration of the intersection between music and humanities.

Join us on the 21st at the Seoul Arts Center Recital Hall for this enchanting recital by Huh Hyo-jeong, where she will delve into the depths of classical music’s sublime nature and reveal its untold story.